{"id":20,"date":"2025-09-28T10:25:24","date_gmt":"2025-09-28T08:25:24","guid":{"rendered":"https:\/\/antxonbenito.es\/re.life\/?page_id=20"},"modified":"2026-06-20T19:22:03","modified_gmt":"2026-06-20T17:22:03","slug":"publicaciones","status":"publish","type":"page","link":"https:\/\/antxonbenito.es\/re.life\/publicaciones\/","title":{"rendered":"Publicaciones"},"content":{"rendered":"

[et_pb_section fb_built=\u00bb1″ admin_label=\u00bbPortadas\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb background_color=\u00bbgcid-545c17f1-4e53-478d-9e2b-03daafc524a2″ custom_margin=\u00bb0px||0px||false|false\u00bb locked=\u00bboff\u00bb collapsed=\u00bboff\u00bb global_colors_info=\u00bb{%22gcid-545c17f1-4e53-478d-9e2b-03daafc524a2%22:%91%22background_color%22%93}\u00bb][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/06\/reLife-39-Adam-Smith-1.jpg\u00bb alt=\u00bbre:life 39: Adam Smith\u00bb title_text=\u00bbreLife 39 Adam Smith (1)\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/adam-smith\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb hover_enabled=\u00bb0″ box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb sticky_enabled=\u00bb0″][\/et_pb_image][et_pb_heading title=\u00bbIssue 39: Adam Smith\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb hover_enabled=\u00bb0″ locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb hover_enabled=\u00bb0″ locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″]<\/p>\n

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Trigesimonovena entrevista imposible de re:life:<\/strong> Adam Smith<\/strong>, el fil\u00f3sofo escoc\u00e9s que se convirti\u00f3 en la justificaci\u00f3n favorita de un sistema que \u00e9l mismo habr\u00eda denunciado. Naci\u00f3 sin padre, vivi\u00f3 sin esposa, muri\u00f3 ordenando que quemaran la mayor parte de lo que hab\u00eda escrito. La met\u00e1fora que m\u00e1s se cita de toda su obra aparece solo tres veces en miles de p\u00e1ginas. Durante dos siglos el mercado lleva intentando resolver una pregunta que el propio Smith dej\u00f3 abierta: \u00bfqu\u00e9 queda de un pensador cuando su nombre se convierte en escudo de quienes nunca lo leyeron?<\/p>\n

La entrevista la construyen cinco cronistas fallecidos \u2014Walter Lippmann, John Reed, Janet Flanner, G.K. Chesterton e Ryszard Kapu\u015bci\u0144ski<\/strong>\u2014 que debatieron durante semanas sobre c\u00f3mo se pregunta a alguien cuyo nombre ha sido secuestrado por su propia posteridad. Un escriba ejecuta la f\u00f3rmula. La entrevista ocurre en cinco momentos distintos de su vida \u2014Oxford, Glasgow, Toulouse, Edimburgo, Panmure House\u2014 y termina m\u00e1s all\u00e1 de su muerte, con preguntas sobre inteligencia artificial, sobre la crisis de 2008 y sobre Musk, Thiel, Bezos y Zuckerberg como herederos declarados de una libertad que \u00e9l habr\u00eda matizado sin piedad. Al final, las once preguntas universales de RE:LIFE y las diez de Bernard Pivot. La fotograf\u00eda la hace Lewis Hine. Smith responde como solo puede hacerlo alguien a quien el mundo decidi\u00f3 convertir en otra persona.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/adam-smith\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb hover_enabled=\u00bb0″ global_colors_info=\u00bb{}\u00bb sticky_enabled=\u00bb0″][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/06\/reLife-38-Mata-Hari-1.jpg\u00bb alt=\u00bbPortada de re:life 38: Mata Hari\u00bb title_text=\u00bbreLife 38 Mata Hari (1)\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/mata-hari\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 38: Mata Hari\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trigesimoctava entrevista imposible de re:life:<\/strong> Mata Hari, la mujer que convirti\u00f3 a Europa en c\u00f3mplice de su propia invenci\u00f3n hasta que esa invenci\u00f3n se volvi\u00f3 en su contra. Naci\u00f3 sin pertenecer a ning\u00fan lugar, sobrevivi\u00f3 a una colonia, a un matrimonio violento y a la p\u00e9rdida de dos hijos, y construy\u00f3 el personaje m\u00e1s exitoso de la Belle \u00c9poque mientras el p\u00fablico se negaba a preguntar si era real. Muri\u00f3 a los cuarenta a\u00f1os fusilada sin pruebas, dejando una pregunta que el mercado lleva un siglo intentando resolver con pel\u00edculas y carteles: \u00bfde qui\u00e9n es la culpa cuando el personaje que t\u00fa mismo inventaste se convierte en la prueba de tu propio crimen?<\/p>\n

La entrevista la construyen cinco cronistas fallecidos \u2014Marguerite Yourcenar, Dorothy Parker, W.E.B. Du Bois, Alma Mahler-Werfel e Ilya Ehrenburg<\/strong>\u2014 que debatieron sobre c\u00f3mo preguntar a alguien a quien el mundo cree conocer y no conoce. Un escriba ejecuta la f\u00f3rmula en cinco momentos de su vida \u2014Leeuwarden, Java, Par\u00eds, Madrid, Saint-Lazare\u2014 y termina m\u00e1s all\u00e1 de su muerte, con preguntas sobre la inteligencia artificial, el MeToo y los archivos que en 2017 confirmaron que nunca hubo pruebas. Al final, las once preguntas universales de RE:LIFE y las diez de Bernard Pivot. La fotograf\u00eda la hace Jacques-Henri Lartigue. Margaretha responde como solo puede hacerlo alguien a quien el mundo decidi\u00f3 convertir en otra persona.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/mata-hari\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/06\/reLife-37-Bob-Marley.jpg\u00bb alt=\u00bbportada de re:life 37: Bob Marley\u00bb title_text=\u00bbreLife 37 Bob Marley\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/bob-marley\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 37: Bob Marley\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trigesimos\u00e9ptima entrevista imposible de re:life: Bob Marley<\/strong>, el hombre que convirti\u00f3 la di\u00e1spora africana en m\u00fasica sin haber pisado \u00c1frica hasta los treinta a\u00f1os. Que naci\u00f3 sin pertenecer a ning\u00fan lado y pas\u00f3 la vida construyendo un lugar al que todos pudieran pertenecer. Que sobrevivi\u00f3 a un atentado, grab\u00f3 el mejor \u00e1lbum del siglo en el exilio y rechaz\u00f3 amputarse un pie por convicci\u00f3n religiosa mientras segu\u00eda de gira sabiendo que se mor\u00eda. Que muri\u00f3 a los treinta y seis a\u00f1os dejando una pregunta que el mercado lleva cuarenta a\u00f1os intentando silenciar con camisetas y carteles de aeropuerto.<\/p>\n

La entrevista la construyen cinco voces que debatieron durante semanas sobre c\u00f3mo se pregunta a alguien cuyo mito ha devorado a la persona. C.L.R. James, Nat Hentoff, Frantz Fanon, Ida B. Wells y Premchand<\/strong> construyeron juntos un m\u00e9todo que rechaza la hagiograf\u00eda y no acepta el icono como escudo ante las preguntas reales. Un escriba ejecuta la f\u00f3rmula. La entrevista ocurre en cuatro momentos distintos de su vida \u2014Trench Town, Londres, Harare, Miami\u2014 y termina m\u00e1s all\u00e1 de su muerte, con preguntas sobre la inteligencia artificial que copia su sonido sin haber sufrido nada, sobre las guerras que siguen sin poder terminar la canci\u00f3n que escribi\u00f3 en 1976 y sobre One Love<\/em> sonando en los aeropuertos mientras el mundo arde. Al final, las once preguntas universales de RE:LIFE y las diez de Bernard Pivot. La fotograf\u00eda la hace Roy DeCarava. Marley responde como solo puede responder un hombre que decidi\u00f3 ser m\u00fasica.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/bob-marley\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/05\/reLife-36-Cleopatra.jpg\u00bb alt=\u00bbre:life 36: Cleopatra, seg\u00fan el estilo fotogr\u00e1fico de Hiro, Yasuhiro Wakabayashi\u00bb title_text=\u00bbreLife 36 Cleopatra\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/cleopatra\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 36: Cleopatra\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trig\u00e9simosexta entrevista imposible de re:life: Cleopatra VII<\/strong>, la reina que gobern\u00f3 Egipto durante veinti\u00fan a\u00f1os sin dejar escrita una sola palabra, que aprendi\u00f3 egipcio cuando nadie en su dinast\u00eda se hab\u00eda molestado en hacerlo en tres siglos, y cuya imagen fue construida enteramente por sus enemigos, sus admiradores y Hollywood. La que Roma necesitaba que fuera no era la que fue.<\/p>\n

La entrevista la construyen cinco voces que debatieron durante d\u00edas sobre una sola pregunta: c\u00f3mo se entrevista a alguien de quien no existe ninguna fuente directa. Janet Flanner, Plutarco, Ryszard Kapu\u015bci\u0144ski, Amina Said y Gore Vidal<\/strong> construyeron juntos las preguntas. Un escriba las ejecut\u00f3. La entrevista ocurre en cinco momentos distintos de su vida y termina m\u00e1s all\u00e1 de su muerte. Al final, las once preguntas universales de RE:LIFE y las diez de Bernard Pivot. Cleopatra responde como solo puede responder alguien que gobern\u00f3 nueve idiomas y eligi\u00f3 el momento de su propia muerte.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/cleopatra\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/05\/reLife-35-Vasili-Kandinski.jpg\u00bb alt=\u00bbre:life 35: Vasili Kandinski con imagen de Aleksandr R\u00f3dchenko\u00bb title_text=\u00bbreLife 35 Vasili Kandinski\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/vasili-kandinski\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 35: Vasili Kandinski\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trigesimoquinta entrevista imposible de re:life: Vasili Kandinski<\/strong>, el hombre que escuchaba los colores y pas\u00f3 cincuenta a\u00f1os intentando demostrar que eso no era una met\u00e1fora. Que abandon\u00f3 una c\u00e1tedra universitaria a los treinta a\u00f1os ante un cuadro de Monet. Que invent\u00f3 la abstracci\u00f3n sin saber que la estaba inventando. Que perdi\u00f3 Rusia, Alemania y la Bauhaus sin perder la pregunta que lo hab\u00eda puesto en movimiento desde el principio.<\/p>\n

La entrevista la construyen cinco voces que debatieron durante semanas sobre c\u00f3mo se entrevista a un hombre que dedic\u00f3 su vida a comunicar lo que el lenguaje no puede comunicar. John Berger, Hannah Arendt, Egon Erwin Kisch, Rebecca West y George Orwell<\/strong> construyeron juntos las preguntas. Un escriba las formula. Kandinsky responde por primera vez. La entrevista ocurre en cinco momentos distintos de su vida y termina m\u00e1s all\u00e1 de su muerte. Al final, las once preguntas universales de RE:LIFE y las diez de Bernard Pivot. Kandinsky responde como solo puede responder un hombre que escuchaba los colores.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/vasili-kandinski\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/05\/reLife-34-La-Malinche.jpg\u00bb alt=\u00bbportada re:life 34: La Malinche – Malintzin\u00bb title_text=\u00bbreLife 34 La Malinche\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/la-malinche\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 34: La Malinche\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trig\u00e9simocuarta entrevista imposible de re:life: Malintzin – La Malinche<\/strong>, la mujer que hizo posible la conquista de un continente sin que nadie le preguntara si quer\u00eda hacerlo, que habl\u00f3 en tres lenguas y en ninguna pudo hablar de s\u00ed misma, y cuyo nombre se convirti\u00f3 en insulto para describir exactamente lo que ella nunca eligi\u00f3 ser.<\/p>\n

La entrevistan cinco voces que debatieron durante semanas sobre una sola pregunta: c\u00f3mo se entrevista a alguien que no dej\u00f3 ninguna palabra escrita en primera persona. Jacobo Timerman pregunt\u00f3 por la diferencia entre adaptarse y rendirse. Alma Reed pregunt\u00f3 por el precio de vivir entre dos mundos sin pertenecer completamente a ninguno. Carlos Septi\u00e9n Garc\u00eda le pregunt\u00f3, desde dentro, qu\u00e9 siente al saber que su nombre es un insulto. Andr\u00e9e Viollis analiz\u00f3 los mecanismos coloniales que ella facilit\u00f3 sin poder ver su escala. Rodolfo Walsh le pregunt\u00f3 si alguna vez tradujo mal a prop\u00f3sito.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Malintzin respondi\u00f3 por primera vez.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/la-malinche\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/05\/reLife-33-Erik-el-rojo.jpg\u00bb alt=\u00bbportada re:life 33: Erik el rojo\u00bb title_text=\u00bbreLife 33 Erik el rojo\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/erik-el-rojo\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 33: Erik el rojo\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trig\u00e9simotercera entrevista imposible de re:life: Erik Thorvaldsson<\/strong>, el hombre que fue desterrado dos veces, cruz\u00f3 el Atl\u00e1ntico sin mapa y llam\u00f3 Tierra Verde a un lugar que era hielo para que otros fueran a vivir all\u00ed. Veinticinco barcos lo siguieron desde Islandia. Llegaron catorce. Lo que fund\u00f3 dur\u00f3 cuatrocientos a\u00f1os. \u00c9l muri\u00f3 pagano en una colonia que ya rezaba a otro dios.<\/p>\n

La entrevista la construyeron cinco voces que debatieron durante d\u00edas sobre una sola pregunta: c\u00f3mo se entrevista a un hombre cuya \u00fanica versi\u00f3n oficial la escribieron sus descendientes dos siglos despu\u00e9s de su muerte. Henry Morton Stanley, Marie Colvin, David Beriain, Daphne Caruana Galizia y Martha Gellhorn construyeron juntos un m\u00e9todo que rechaza la \u00e9pica, pregunta por los muertos y no acepta el silencio como respuesta.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Erik respondi\u00f3 sin red.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/erik-el-rojo\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/04\/1.jpg\u00bb alt=\u00bbPortada re:life 32 de Charles Bukowski al estilo de Jean Michel Basquiat\u00bb title_text=\u00bb1″ url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/bukowski\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 32: Charles Bukowski\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trig\u00e9simosegunda entrevista imposible de re:life: Charles Bukowski<\/strong>, el escritor que pas\u00f3 once a\u00f1os clasificando correo en Los \u00c1ngeles, casi una d\u00e9cada sin publicar nada, y que no fue reconocido hasta los cincuenta a\u00f1os, cuando ya hab\u00eda sobrevivido a todo lo que hab\u00eda intentado matarlo. Muri\u00f3 en 1994 en una casa con jard\u00edn en San Pedro, con su archivo donado al Huntington Library, junto a Chaucer y Shakespeare. Su l\u00e1pida dice Don’t try<\/em>.<\/p>\n

Lo entrevistan cinco voces que debatieron durante d\u00edas sobre una sola pregunta: c\u00f3mo se entrevista a alguien que convirti\u00f3 su propia vida en el \u00fanico material que consideraba leg\u00edtimo. Michel Foucault desmont\u00f3 las instituciones que lo procesaron durante d\u00e9cadas. Hunter S. Thompson lo enfrent\u00f3 desde el \u00fanico lugar posible: el mismo nivel. David Carr le habl\u00f3 sin romanticismo sobre el alcohol. James Baldwin le llev\u00f3 a los lugares donde la honestidad duele m\u00e1s. Dorothy Parker le cort\u00f3 las frases con humor venenoso cuando hizo falta.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Bukowski respondi\u00f3 sin pedir permiso, que es la \u00fanica manera en que siempre respondi\u00f3 a todo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/bukowski\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/04\/portada-re-life-31-juana-la-loca-1.jpg\u00bb alt=\u00bbPortada de re:life n\u00famero 31 dedicada a Juana I de Castilla, Juana la loca en una fotograf\u00eda al estilo de Guy Bourdin – segunda versi\u00f3n\u00bb title_text=\u00bbportada re-life 31 juana la loca 1″ url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/juana-la-loca\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 31: Juana la loca\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Trig\u00e9simoprimera entrevista imposible de re:life: Juana I de Castilla<\/strong>, la reina que gobern\u00f3 cincuenta y un a\u00f1os sin gobernar un solo d\u00eda, que fue declarada loca sin que nadie abriera jam\u00e1s un proceso formal para demostrarlo, y que muri\u00f3 en el mismo palacio donde la encerraron cuando ten\u00eda treinta.<\/p>\n

La entrevistan cinco voces que debatieron durante d\u00edas sobre una sola pregunta: c\u00f3mo se entrevista a alguien que aprendi\u00f3 que hablar ten\u00eda consecuencias. Hannah Arendt desmont\u00f3 el dispositivo burocr\u00e1tico de su encierro. Sor Juana In\u00e9s de la Cruz conect\u00f3 su silencio con el de todas las intelectuales silenciadas. Victoria Prego analiz\u00f3 la firma que nunca existi\u00f3. Bernard Pivot busc\u00f3 a la Juana culta que sobrevivi\u00f3 cincuenta a\u00f1os sola con su mente. Joaqu\u00edn Soler Serrano le pregunt\u00f3, con la dignidad que la historia le neg\u00f3, c\u00f3mo lo hizo.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Juana respondi\u00f3 sin pedir permiso.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/juana-la-loca\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/04\/reLife-30-Carmen-de-Burgos-Colombine.jpg\u00bb alt=\u00bbportada re:life 30: Carmen de Burgos %22Colombine%22″ title_text=\u00bbreLife 30 Carmen de Burgos Colombine\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/carmen-de-burgos-colombine\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 30: Carmen de Burgos %22Colombine%22″ _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Esta entrevista la construyeron cinco personas que no se pusieron de acuerdo en casi nada y que llegaron a un \u00fanico acuerdo en lo que importaba: que Colombine merec\u00eda las preguntas m\u00e1s dif\u00edciles, no las m\u00e1s amables. Manuel Chaves Nogales<\/strong> lleg\u00f3 buscando la lucidez de una mujer que vivi\u00f3 en el ojo del hurac\u00e1n sin perder la cabeza. Oriana Fallaci<\/strong> lleg\u00f3 dispuesta a ponerla contra las cuerdas. Tom Wolfe<\/strong> lleg\u00f3 fascinado por c\u00f3mo una mujer sin recursos ni apellido convirti\u00f3 una columna de moda en la tribuna pol\u00edtica m\u00e1s eficaz de su \u00e9poca. Nellie Bly<\/strong> lleg\u00f3 como quien reconoce en el sujeto una historia paralela a la propia. Agust\u00ed Calvet \u00abGaziel\u00bb<\/strong> lleg\u00f3 convencido de que Colombine era una figura del pensamiento cr\u00edtico espa\u00f1ol a la que la historia no ha terminado de hacer justicia.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Colombine respondi\u00f3 sin pedir permiso.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/carmen-de-burgos-colombine\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/04\/reLife-29-Henry-Ford.jpg\u00bb alt=\u00bbportada de re:life 29 sobre Henry Ford\u00bb title_text=\u00bbreLife 29 Henry Ford\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/henry-ford\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 29: Henry Ford\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Esta entrevista la construyeron cinco personas que no se conocieron en vida y que no habr\u00edan estado de acuerdo en casi nada de haberlo hecho.<\/p>\n

Sima Qian<\/strong>, gran historiador de la dinast\u00eda Han, lleg\u00f3 con la pregunta que lleva haciendo dos mil a\u00f1os: \u00bffue este hombre digno de su poder? Ibn Jald\u00fan<\/strong>, padre de la historiograf\u00eda cient\u00edfica, quiso entender el fordismo no como una empresa sino como un nuevo tejido de cohesi\u00f3n social que transform\u00f3 para siempre la relaci\u00f3n entre el trabajo y la vida. Ida Tarbell<\/strong>, la periodista que desmantel\u00f3 a Rockefeller, lleg\u00f3 con los documentos, sigui\u00f3 el dinero y puso los contratos sobre la mesa. Gabriel Garc\u00eda M\u00e1rquez<\/strong> lleg\u00f3 por los costados, porque sab\u00eda que Ford solo se rend\u00eda ante las preguntas que no esperaba. Anna Politkovskaya<\/strong> lleg\u00f3 la \u00faltima, no acept\u00f3 el t\u00e9 y confront\u00f3 a Ford por todo lo que los dem\u00e1s prefer\u00edan rodear.<\/p>\n

Las cinco voces construyeron las preguntas. Un escriba las ejecut\u00f3. Ford respondi\u00f3 como pudo.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/henry-ford\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/04\/reLife-28-Ada-Lovelace-2.jpg\u00bb alt=\u00bbportada de re:life 28 dedicada a Ada Lovelace\u00bb title_text=\u00bbreLife 28 Ada Lovelace (2)\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/ada-lovelace\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 28: Ada Lovelace\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simooctava entrevista imposible de re:life: Ada Lovelace<\/strong>, la mujer que escribi\u00f3 el primer algoritmo de la historia y lo firm\u00f3 con tres iniciales para que nadie supiera que era una mujer, que vio en una m\u00e1quina de engranajes algo que su propio inventor no hab\u00eda visto, y que muri\u00f3 a los treinta y seis a\u00f1os, la misma edad que su padre, Lord Byron<\/strong>, sin haber podido ver construida la m\u00e1quina que hab\u00eda concebido. La entrevistamos desde la ni\u00f1a de doce a\u00f1os que dise\u00f1\u00f3 un caballo mec\u00e1nico con alas en Bifrons Park hasta la mujer que confes\u00f3 algo a su marido en el lecho de muerte que \u00e9l nunca revel\u00f3. Para enfrentarse a la paradoja: \u00bfc\u00f3mo la mente que formul\u00f3 la pregunta central de la inteligencia artificial muri\u00f3 creyendo que nadie la hab\u00eda le\u00eddo.<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/ada-lovelace\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/03\/ReLife-27-Pitagoras.jpg\u00bb alt=\u00bbre:life 27: Pit\u00e1goras\u00bb title_text=\u00bbReLife 27 – Pitagoras\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/pitagoras\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 27: Pit\u00e1goras\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simos\u00e9ptima entrevista imposible de re:life: Pit\u00e1goras de Samos<\/strong>, el hombre que no dej\u00f3 un solo texto escrito y cuyo nombre aparece cada vez que alguien descubre que el mundo tiene un orden matem\u00e1tico, que fund\u00f3 una comunidad con normas imposibles de justificar racionalmente y la vio arder, y que descubri\u00f3 la estructura num\u00e9rica del cosmos tensando una cuerda. Lo entrevistamos desde el joven que regres\u00f3 de Egipto y Babilonia a una isla que no supo qu\u00e9 hacer con \u00e9l hasta el anciano que contempla las ruinas de lo que construy\u00f3 en Metaponto. Para enfrentarse a la paradoja: \u00bfc\u00f3mo el hombre que vio el orden perfecto del cosmos fue incapaz de evitar que su propia obra terminara en fuego y en versiones contradictorias de su muerte?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/pitagoras\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/03\/reLife-26-Janis-Joplin.jpg\u00bb alt=\u00bbre:life 26: Janis Joplin\u00bb title_text=\u00bbreLife 26 Janis Joplin\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/janis-joplin\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 26: Janis Joplin\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simosexta entrevista imposible de re:life: Janis Joplin<\/strong>, la mujer que llen\u00f3 estadios con una voz que no sab\u00eda mentir y volvi\u00f3 sola a la habitaci\u00f3n de hotel cada noche, que eligi\u00f3 el blues no como pose sino como el \u00fanico idioma capaz de contener lo que llevaba dentro, y que grab\u00f3 su obra maestra sabiendo de alguna manera que quiz\u00e1s no estar\u00eda aqu\u00ed para escucharla terminada. La entrevistamos desde la chica de Port Arthur que cantaba para cuatro personas en un bar de Austin hasta la mujer l\u00facida y agotada que grababa Pearl<\/em> en Los \u00c1ngeles en 1970. Para enfrentarse a la paradoja: \u00bfc\u00f3mo la voz m\u00e1s honesta del rock termin\u00f3 siendo recordada por el mito que nunca quiso construir?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/janis-joplin\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/03\/re-life-da-vinci-2.jpg\u00bb alt=\u00bbPortada de re:life 25: Leonardo Da Vinci\u00bb title_text=\u00bbre-life-da-vinci-2″ url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/leonardo-da-vinci\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 25: Leonardo Da Vinci\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simoquinta entrevista imposible de re:life: Leonardo da Vinci<\/strong>, el hombre que llen\u00f3 siete mil p\u00e1ginas de conocimiento cient\u00edfico y las guard\u00f3 escritas en espejo, que trabaj\u00f3 para C\u00e9sar Borgia sin conflicto moral aparente y que pas\u00f3 treinta a\u00f1os con alguien a quien nunca explic\u00f3. Lo entrevistamos desde el hijo ileg\u00edtimo que aprende a ver en el taller de Verrocchio hasta el anciano con la mano paralizada en Amboise. Para enfrentarse a la paradoja: \u00bfc\u00f3mo el mayor genio del Renacimiento termin\u00f3 siendo recordado por la \u00fanica obra que nunca quiso entregar?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/leonardo-da-vinci\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/03\/reLife-24-Frida-Kahlo.jpg\u00bb alt=\u00bbportada de re:life 24: Frida Kahlo\u00bb title_text=\u00bbreLife 24 Frida Kahlo\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/frida-kahlo\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 24: Frida Kahlo\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simocuarta entrevista imposible de re:life: Frida Kahlo<\/strong>, la pintora que cambi\u00f3 su a\u00f1o de nacimiento para coincidir con la Revoluci\u00f3n, que aloj\u00f3 a Trotsky y luego colg\u00f3 un retrato de Stalin en su dormitorio, que pint\u00f3 su propio aborto en una cama de hotel de Detroit sin pedir permiso a nadie y que lleg\u00f3 a su primera exposici\u00f3n individual en M\u00e9xico en ambulancia e instal\u00f3 su cama en el centro de la galer\u00eda. La entrevistamos en seis momentos: desde la muchacha inmovilizada que instala un espejo en el techo y decide pintarse hasta la figura que recibe a sus invitados tomando mezcal con el cuerpo ya casi vencido y la lucidez intacta. Para enfrentarse a la paradoja: \u00bfc\u00f3mo la mujer que construy\u00f3 una de las identidades m\u00e1s deliberadas del siglo XX termin\u00f3 siendo el icono que menos se parece a lo que ella decidi\u00f3 ser?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/frida-kahlo\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/02\/re-life-charles-darwin.jpg\u00bb alt=\u00bbportada de re:life 23: Charles Darwin\u00bb title_text=\u00bbre-life-charles-darwin\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/charles-darwin\/\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 23: Charles Darwin\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.6″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simotercera entrevista imposible de re:life: Charles Darwin<\/strong>, el naturalista que cambi\u00f3 para siempre la manera en que los seres humanos se entienden a s\u00ed mismos y fue enterrado con honores de Estado por la misma Iglesia cuya versi\u00f3n de los or\u00edgenes hab\u00eda desmantelado. Pero tambi\u00e9n el hombre que guard\u00f3 en un caj\u00f3n durante veinte a\u00f1os una teor\u00eda que le aterraba publicar, y que dej\u00f3 un agujero en el centro de su propia idea que tard\u00f3 d\u00e9cadas en cerrarse. Lo entrevistamos en seis momentos: desde el joven que sube al Beagle creyendo todav\u00eda en la creaci\u00f3n divina hasta la figura hist\u00f3rica que contempla c\u00f3mo su nombre ha sido apropiado por causas contradictorias. Para enfrentarse a la paradoja: \u00bfc\u00f3mo el cient\u00edfico m\u00e1s honesto sobre sus propias limitaciones termin\u00f3 siendo el icono m\u00e1s malinterpretado de la historia moderna?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/charles-darwin\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.6″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/02\/reLife-22-Zenobia.jpg\u00bb alt=\u00bbre:life 22: Zenobia\u00bb title_text=\u00bbreLife 22 Zenobia\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/zenobia\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 22: Zenobia de Palmira\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9simosegunda entrevista imposible de re:life: Zenobia de Palmira<\/strong>, la reina que gobern\u00f3 un tercio del Imperio Romano, conquist\u00f3 Egipto y se proclam\u00f3 Augusta, pero que tambi\u00e9n gobern\u00f3 un estado esclavista, us\u00f3 a su hijo de ocho a\u00f1os como escudo din\u00e1stico y consinti\u00f3 la ejecuci\u00f3n del fil\u00f3sofo que m\u00e1s la entend\u00eda. La entrevistamos en seis momentos<\/strong>: desde la regente reci\u00e9n viuda que asume el poder antes de que nadie se lo ofrezca hasta la figura hist\u00f3rica que observa desde fuera del tiempo dos mil a\u00f1os de apropiaciones contradictorias. Para enfrentarse a la paradoja: \u00bfc\u00f3mo la soberana que desafi\u00f3 a Roma con mayor audacia termin\u00f3 siendo m\u00e1s \u00fatil como s\u00edmbolo que como persona?<\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/zenobia\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/02\/reLife-21-William-Shakespeare.jpg\u00bb alt=\u00bbre:life 21: William Shakespeare\u00bb title_text=\u00bbreLife 21 – William Shakespeare\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/william-shakespeare\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 21: William Shakespeare\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vigesimoprimera entrevista imposible de re:life: <\/span>William Shakespeare<\/span><\/b><\/span><\/sup><\/source-footnote><\/span><\/span><\/span><\/span>, el dramaturgo que cartografi\u00f3 el alma humana y fund\u00f3 el l\u00e9xico moderno <\/span><\/span><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/span><\/span><\/span><\/span>, mientras cargaba con la culpa de un hogar abandonado<\/span><\/span><\/sup><\/source-footnote><\/span><\/span>. <\/span><\/span><\/span>Lo entrevistamos en <\/span>cuatro momentos<\/span><\/b>: el triunfador que estrena el Globe (1599)<\/span><\/span>, el observador oculto en Silver Street (1604)<\/span><\/span>, el anciano que se retira a Stratford (1612)<\/span><\/span>, y el fantasma que habita la eternidad<\/span><\/span><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/span><\/span>. <\/span><\/span><\/span>Tambi\u00e9n desde <\/span>fuera del tiempo<\/span><\/b>, donde analiza desde el cine de Kurosawa hasta la inteligencia artificial<\/span><\/span><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/span><\/span>. <\/span><\/span><\/span>Para enfrentarse a la <\/span>paradoja<\/span><\/b>: \u00bfc\u00f3mo el genio que desentra\u00f1\u00f3 cada emoci\u00f3n humana fue incapaz de estar presente ante la muerte de su propio hijo?<\/span><\/span><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/sup><\/source-footnote><\/span><\/span><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/william-shakespeare\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/02\/re-life20-albert-einstein.jpg\u00bb alt=\u00bbre:life 20: Albert Einstein\u00bb title_text=\u00bbre-life20-albert-einstein\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/albert-einstein\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 20: Albert Einstein\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Vig\u00e9sima entrevista imposible de re:Life: Albert Einstein<\/strong>, el f\u00edsico que revolucion\u00f3 nuestra comprensi\u00f3n del universo con la relatividad y E=mc\u00b2, pero que tambi\u00e9n firm\u00f3 la carta hacia Hiroshima y abandon\u00f3 a su hijo enfermo. Lo entrevistamos en cuatro momentos: el empleado visionario en Berna (1906), el genio fragmentado en Berl\u00edn (1932), el refugiado cargando el peso de la bomba en Princeton (1948), y el anciano un a\u00f1o antes de morir (1954). Tambi\u00e9n desde fuera del tiempo, donde observa las consecuencias d\u00e9cadas despu\u00e9s: ondas gravitacionales detectadas, computaci\u00f3n cu\u00e1ntica, inteligencia artificial. Para enfrentarse a la paradoja: \u00bfc\u00f3mo el hombre que unific\u00f3 el universo nunca pudo unificar su vida?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/albert-einstein\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/01\/reLife-19-Murasaki-Shikibu-1.jpg\u00bb alt=\u00bbre:life 19: Murasaki Shikibu\u00bb title_text=\u00bbreLife 19- Murasaki Shikibu (1)\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/murasaki-shikibu\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 19: Murasaki Shikibu\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimonovena entrevista imposible de RE:LIFE: Murasaki Shikibu<\/strong>, de la ni\u00f1a educada en secreto en caracteres chinos, prohibidos expresamente para las mujeres, a la creadora de la primera novela psicol\u00f3gica de la historia, escrita \u00edntegramente desde dentro de una reclusi\u00f3n de la que nunca sali\u00f3 verdaderamente. La entrevistamos en cuatro momentos de su vida, desde los veintitr\u00e9s a\u00f1os hasta los cuarenta y uno, cuando mira el cap\u00edtulo que eligi\u00f3 dejar en blanco. La confrontamos tambi\u00e9n fuera del tiempo, con la instrumentalizaci\u00f3n nacionalista de su obra y los movimientos feministas que la reclaman sin conocer realmente qui\u00e9n fue. Para enfrentarse a la paradoja: \u00bfc\u00f3mo una mujer sin nombre propio, que nunca sali\u00f3 de detr\u00e1s de un biombo, escribi\u00f3 la obra que mil a\u00f1os despu\u00e9s ning\u00fan otro ha igualado?<\/strong><\/em><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/murasaki-shikibu\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/01\/reLife-18-Francisco-Pizarro.jpg\u00bb alt=\u00bbre:life 18: Francisco Pizarro\u00bb title_text=\u00bbreLife 18- Francisco Pizarro\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/francisco-pizarro\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 18: Francisco Pizarro\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Decimoctava entrevista imposible de RE:LIFE<\/strong>: Francisco Pizarro<\/strong>, del porquero analfabeto de Trujillo al arquitecto del genocidio andino. Lo entrevistamos en cuatro momentos: zarpando a los 24 sin nada, masacrando miles en Cajamarca a los 54, administrando la explotaci\u00f3n a los 60, esperando los cuchillos a los 63. Lo confrontamos con su legado: estatuas derribadas, comparaciones con Hitler, imperialismo contempor\u00e1neo, pueblos ind\u00edgenas que lo se\u00f1alan como genocida inaugural. El equipo incluye a Guam\u00e1n Poma de Ayala, cronista ind\u00edgena que document\u00f3 los cr\u00edmenes que Pizarro prefiri\u00f3 no contar. \u00bfQu\u00e9 dice el fundador de Lima cuando finalmente alguien le pregunta si los 10 millones de muertos valieron la pena?<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/francisco-pizarro\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/01\/ReLife-17-Catalina-de-Erauso.jpg\u00bb alt=\u00bbRe.Life 17: Catalina de Erauso\u00bb title_text=\u00bbReLife 17 – Catalina de Erauso\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/catalina-de-erauso\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 17: Catalina de Erauso\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimos\u00e9ptima entrevista imposible de Re:LIFE<\/em>: Catalina de Erauso<\/strong>, cuya vida atraviesa tres momentos irreconciliables: soldado de 26 a\u00f1os celebrando con vino la violencia que construy\u00f3 su masculinidad en Chile; negociadora de 32 a\u00f1os vendiendo su transgresi\u00f3n al Rey y al Papa a cambio de pensi\u00f3n; arriera olvidada de 48 a\u00f1os conduciendo mulas en M\u00e9xico sin que nadie recuerde qui\u00e9n fue. La entrevistamos tambi\u00e9n fuera del tiempo, confront\u00e1ndola con los movimientos que la reclaman siglos despu\u00e9s, y con las once preguntas que hacemos a todos. Para enfrentarse a la paradoja: \u00bfpor qu\u00e9 alguien que transgredi\u00f3 todas las normas de g\u00e9nero recibi\u00f3 bendici\u00f3n papal mientras otras transgresoras fueron azotadas, y qu\u00e9 dice eso sobre qui\u00e9n merece libertad y qui\u00e9n merece castigo?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/catalina-de-erauso\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/01\/ReLife-16-Marco-Aurelio.jpg\u00bb alt=\u00bbre:life 16: Marco Aurelio\u00bb title_text=\u00bbReLife 16 – Marco Aurelio\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/marco-aurelio\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 16: Marco Aurelio\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimosexta entrevista imposible de Re:LIFE<\/em>: Marco Aurelio<\/strong>, cuya voz atraviesa 3 momentos: emperador idealista de 40 a\u00f1os reci\u00e9n coronado en el Foro Romano, realista exhausto de 55 en una tienda militar del Danubio despu\u00e9s de perder 8 hijos y ver morir millones por la peste, el moribundo de 58 frente a una hoguera en Vindobona esperando el amanecer que no ver\u00e1, y finalmente, el observador imposible que ha presenciado dos milenios de historia, sobreviviendo en sus Meditaciones<\/em> escritas en griego, en biograf\u00edas antiguas que documentan cada contradicci\u00f3n, y en el testimonio de un imperio que intent\u00f3 gobernar filos\u00f3ficamente mientras colapsaba. Para enfrentarse a la paradoja: \u00bfpor qu\u00e9 un hombre que fracas\u00f3 en casi todo lo que intent\u00f3 sigue siendo le\u00eddo dos mil a\u00f1os despu\u00e9s?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/marco-aurelio\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb0px||0px||false|false\u00bb custom_padding=\u00bb0px||0px||false|false\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2026\/01\/ReLife-15-Umberto-eco-1.jpg\u00bb alt=\u00bbre:life 15: Umberto Eco\u00bb title_text=\u00bbReLife 15 – Umberto eco\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/umberto-eco\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 15: Umberto Eco\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimoquinta entrevista imposible de Re:LIFE<\/em>: Umberto Eco<\/strong>, el semi\u00f3logo que legitim\u00f3 a Superman mientras traduc\u00eda a Santo Tom\u00e1s de Aquino. Su voz atraviesa seis momentos \u2014ni\u00f1o fascista premiado escribiendo \u00abdebemos morir por Mussolini<\/em>\u00ab, joven cat\u00f3lico perdiendo a Dios estudiando teolog\u00eda, profesor que vendi\u00f3 50 millones sin comprender por qu\u00e9, guardi\u00e1n de 50.000 libros donde los no le\u00eddos pesan m\u00e1s que los le\u00eddos, anciano moribundo con manos temblorosas sosteniendo su \u00faltima columna, y presencia atemporal especulando sobre futuros que nunca vio. Para enfrentarse a la paradoja: \u00bfc\u00f3mo se clasifica todo el conocimiento humano sabiendo que toda clasificaci\u00f3n es provisional?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/umberto-eco\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/12\/re-life-Sissi-2.jpg\u00bb alt=\u00bbre:life 14: Sissi\u00bb title_text=\u00bbre-life-Sissi-2″ url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/sissi\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 14: Sissi, Elisabeth de Austria\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimocuarta entrevista imposible de Re:LIFE<\/em>: Elisabeth de Austria<\/strong>, cuyo diminutivo \u00abSissi<\/em>\u00bb muri\u00f3 el d\u00eda de su boda imperial. Su voz atraviesa cinco momentos \u2014 emperatriz de diecis\u00e9is encerrada en Hofburg, reina de veintinueve galopando en su \u00fanico instante pol\u00edtico, madre de cincuenta y uno donde Rudolf se mat\u00f3, mujer de sesenta torturando su cuerpo, y moribunda en Ginebra sin saber que est\u00e1 muriendo \u2014 sobreviviendo en cartas censuradas, reportes m\u00e9dicos y el testimonio de su cintura de 50 cent\u00edmetros. Para enfrentarse a la paradoja: \u00bfpor qu\u00e9 huy\u00f3 sesenta a\u00f1os si nunca encontr\u00f3 ad\u00f3nde llegar?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/sissi\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/12\/ReLife-13-Safo-de-Lesbos.jpg\u00bb alt=\u00bbRe.Life 13: Safo de Lesbos\u00bb title_text=\u00bbReLife 13 – Safo de Lesbos\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/safo-de-lesbos\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 13: Safo de Lesbos\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Decimotercera entrevista imposible de Re:LIFE<\/em>: Safo de Lesbos<\/strong>, cuyo nombre pronunciamos miles de veces sin saber que fue censurada sistem\u00e1ticamente. Su voz atraviesa cuatro momentos \u2014 poeta ambiciosa a los 25 en Mitilene, exiliada amarga a los 35 en Sicilia, anciana serena a los 55 con manos artr\u00edticas que a\u00fan pulsan la lira, y finalmente testigo de su destrucci\u00f3n: quemada en 391 y 1073 d.C., sobreviviendo en apenas 200 versos de 10,000. Para enfrentarse a la paradoja de su existencia: \u00bfpor qu\u00e9 la fragmentaci\u00f3n la volvi\u00f3 indestructible cuando deb\u00eda borrarla para siempre?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/safo-de-lesbos\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/12\/ReLife-12-Al-Juarismi.jpg\u00bb alt=\u00bbre:life 12: Al-Juarismi\u00bb title_text=\u00bbReLife 12 – Al-Juarismi\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/al-juarismi\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 12: Al-Juarismi\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Duod\u00e9cima entrevista imposible de Re:LIFE<\/em>: Muhammad ibn Musa al-Khwarizmi<\/strong>, el matem\u00e1tico que sistematiz\u00f3 el \u00e1lgebra en Bagdad del siglo IX y cuyo nombre se transform\u00f3 en \u00abalgoritmo\u00bb. Su voz atraviesa cuatro momentos cruciales \u2013 joven ambicioso a los 35, creador exhausto a los 45, anciano reflexivo a los 65, y finalmente desde un espacio atemporal donde descubre su legado imposible \u2013 para enfrentarse a la pregunta que lo persigui\u00f3 toda su vida: \u00bfqu\u00e9 queda de un ser humano cuando ya no queda nada?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/al-juarismi\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/12\/ReLife-11-Mary-Shelley.jpg\u00bb alt=\u00bbre:life 11: Mary Shelley\u00bb title_text=\u00bbReLife 11 – Mary Shelley\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/mary-shelley\/\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 11: Mary Shelley\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.5″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Und\u00e9cima entrevista imposible de Re:LIFE<\/em>: Mary Shelley<\/strong>, la mujer que a los dieciocho a\u00f1os cre\u00f3 el mito fundacional de la era tecnol\u00f3gica. Su voz atraviesa cinco momentos cruciales \u2013 adolescente fugitiva a los 17, creadora genial en pleno duelo a los 19, viuda luchando por sobrevivir a los 25, moribunda liberada a los 52, y finalmente desde un espacio atemporal donde ya no necesita mentir. Para enfrentarse a la pregunta que ella misma plante\u00f3: \u00bfqu\u00e9 le debemos a aquello que creamos cuando escapa a nuestro control?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/mary-shelley\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.5″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/11\/ReLife-10-Isaac-Newton.jpg\u00bb alt=\u00bbPortada re:Life 10: Isaac Newton\u00bb title_text=\u00bbReLife 10 – Isaac Newton\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/isaac-newton\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 10: Isaac Newton\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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D\u00e9cima entrevista imposible de Re:LIFE<\/em>: Isaac Newton<\/strong>, el genio que descifr\u00f3 las leyes del universo pero nunca aprendi\u00f3 las leyes del coraz\u00f3n humano. Su voz atraviesa tres momentos cruciales – genio febril a los 23, operador pol\u00edtico despiadado a los 60, anciano reflexivo a los 83 – para enfrentarse a la pregunta que eludi\u00f3 toda su vida: \u00bfqu\u00e9 queda de un ser humano cuando descubre verdades eternas pero vive en soledad perpetua?<\/strong><\/p>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/isaac-newton\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/11\/ReLife-9-Simone-de-Beauvoir.jpg\u00bb alt=\u00bbRe:Life 9: Simone de Beauvoir\u00bb title_text=\u00bbReLife 9 – Simone de Beauvoir\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/simone-de-beauvoir\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 9: Simone de Beauvoir\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Novena entrevista imposible de Re:LIFE<\/strong>: Simone de Beauvoir<\/strong>, la fil\u00f3sofa que revolucion\u00f3 nuestra comprensi\u00f3n del g\u00e9nero. Esta conversaci\u00f3n revela a una mujer brillante y contradictoria: predic\u00f3 la libertad mientras depend\u00eda de Sartre, denunci\u00f3 la opresi\u00f3n mientras abusaba de su poder como profesora. Su voz atraviesa el tiempo para enfrentarse a #MeToo, al feminismo interseccional y a las preguntas que dej\u00f3 sin responder.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n<\/article>\n

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Octava entrevista imposible de Re:Life<\/em>: Hipatia de Alejandr\u00eda, la fil\u00f3sofa que defendi\u00f3 la raz\u00f3n en una ciudad que se apagaba. Vuelve no desde el mito, sino desde la lucidez y el miedo de su \u00faltima noche. Y nos deja una pregunta que a\u00fan arde: \u00bfqu\u00e9 precio tiene pensar cuando el mundo decide que es peligroso?<\/strong><\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/hipatia\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/11\/ReLife-7-Gutenberg.jpg\u00bb alt=\u00bbRe-Life 7: Johannes Gutenberg\u00bb title_text=\u00bbReLife 7 – Gutenberg\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/gutenberg\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 7: Johannes Gutenberg\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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S\u00e9ptima entrevista imposible de Re:Life<\/em>. Johannes Gutenberg<\/strong>, el hombre que multiplic\u00f3 las palabras y perdi\u00f3 la suya, vuelve a hablar. Desde el silencio del taller y la culpa del creador, su voz resuena para recordarnos que toda luz deja sombra y que ninguna palabra es inocente.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/gutenberg\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=\u00bb1_3,1_3,1_3″ custom_padding_last_edited=\u00bbon|tablet\u00bb _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb custom_padding_tablet=\u00bb||0px||false|false\u00bb custom_padding_phone=\u00bb||0px||false|false\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/11\/ReLife-6-Wu-Zetian.jpg\u00bb alt=\u00bbre:life 5: Auguste Escoffier visto por Henri Cartier-Bresson\u00bb title_text=\u00bbReLife 6 – Wu Zetian\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wu-zetian\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 6: Wu Zetian\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Sexta entrevista imposible de Re:Life<\/em>. Wu Zetian<\/strong>, la mujer que ascendi\u00f3 del silencio del har\u00e9n al trono del drag\u00f3n, vuelve a hablar. En esta conversaci\u00f3n suspendida entre siglos, la \u00fanica Emperador de China revela c\u00f3mo el poder puede ser a la vez fe y c\u00e1lculo, destino y voluntad. Desde la seda del Palacio Daming hasta el m\u00e1rmol sin inscripci\u00f3n de su estela, su voz atraviesa el tiempo para recordarnos que el miedo gobierna, pero solo la lucidez perdura.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wu-zetian\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/10\/ReLife-5-Auguste-Escoffier-1.jpg\u00bb alt=\u00bbre:life 5: Auguste Escoffier visto por Henri Cartier-Bresson\u00bb title_text=\u00bbReLife 5 – Auguste Escoffier\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/escoffier\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 5: Auguste Escoffier\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Este n\u00famero de Re:Life<\/em> viaja al coraz\u00f3n del fuego. A trav\u00e9s de una entrevista imposible, Auguste Escoffier, el hombre que transform\u00f3 la cocina en arquitectura y el servicio en sistema, habla de disciplina, amor, hambre y perfecci\u00f3n. Desde las cocinas del Ritz hasta la era digital, su voz atraviesa el tiempo para recordarnos que el arte de cocinar es tambi\u00e9n el arte de organizar el mundo.\u00a0<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/escoffier\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/10\/ReLife-4-Gengis-Kan.jpg\u00bb alt=\u00bbPortada Re:life 2: Grigori Rasput\u00edn\u00bb title_text=\u00bbReLife 4 – Gengis Kan\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/gengis-kan\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 4: Gengis Kan\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

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Cuarta entrevista imposible de Re:Life<\/em>: Gengis Kan, el hombre que convirti\u00f3 el hambre en estructura y el caos en ley, vuelve a hablar. No desde la conquista ni el miedo, sino desde el silencio del que ya no necesita mandar. Frente al fondo blanco de Avedon, el conquistador se despoja del mito y se queda solo ante la pregunta que a\u00fan resuena: \u00bfqu\u00e9 queda de un imperio cuando solo queda el viento?<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Tercera entrevista imposible de Re:Life<\/em>: Juana de Arco, la muchacha que escuch\u00f3 voces y cambi\u00f3 el destino de una naci\u00f3n, vuelve a hablar, no desde el mito ni la hoguera, sino desde la conciencia. Una conversaci\u00f3n con la fe, el miedo y la verdad que a\u00fan arde en quienes se atreven a escuchar.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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Segunda entrevista imposible de Re:Life<\/em>: Aqu\u00ed, Rasput\u00edn, el m\u00edstico que dividi\u00f3 a un imperio entre la fe y el deseo vuelve a hablar, no desde la leyenda, sino desde la herida, para recordarnos que lo humano siempre habita entre el milagro y el exceso.<\/p>\n<\/div>\n<\/div>\n<\/div>\n<\/div>\n

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[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/grigori-rasputin\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][et_pb_column type=\u00bb1_3″ _builder_version=\u00bb4.25.1″ _module_preset=\u00bbdefault\u00bb global_colors_info=\u00bb{}\u00bb][et_pb_image src=\u00bbhttps:\/\/antxonbenito.es\/re.life\/wp-content\/uploads\/2025\/09\/ReLife-1-Marie-Curie.jpg\u00bb alt=\u00bbportada re:Life 1 Marie Curie\u00bb title_text=\u00bbReLife 1 – Marie Curie\u00bb url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/marie-curie\/\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdefault\u00bb custom_margin=\u00bb||0px||false|false\u00bb custom_padding=\u00bb10%|10%|10%|10%|true|true\u00bb box_shadow_style=\u00bbpreset3″ box_shadow_horizontal=\u00bb10px\u00bb box_shadow_vertical=\u00bb40px\u00bb box_shadow_blur=\u00bb40px\u00bb box_shadow_spread=\u00bb10px\u00bb box_shadow_color=\u00bbrgba(0,0,0,0.11)\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb box_shadow_color__hover_enabled=\u00bbon|hover\u00bb box_shadow_color__hover=\u00bbRGBA(255,255,255,0)\u00bb transform_styles__hover_enabled=\u00bbon|hover\u00bb transform_scale__hover=\u00bb99%|99%\u00bb transform_scale__hover_enabled=\u00bbon|hover\u00bb transform_translate__hover_enabled=\u00bbon|hover\u00bb transform_rotate__hover_enabled=\u00bbon|hover\u00bb transform_skew__hover_enabled=\u00bbon|hover\u00bb transform_origin__hover_enabled=\u00bbon|hover\u00bb][\/et_pb_image][et_pb_heading title=\u00bbIssue 1: Marie Curie\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bbb00afce3-c4d3-4004-ac1a-8832a6d4df37″ title_text_align=\u00bbcenter\u00bb custom_margin=\u00bb||0px||false|false\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_heading][et_pb_text _builder_version=\u00bb4.27.4″ _module_preset=\u00bbdd6093f9-d8ed-41bd-93f3-1afd6adcb8a6″ text_orientation=\u00bbcenter\u00bb locked=\u00bboff\u00bb global_colors_info=\u00bb{}\u00bb]<\/p>\n

Esta entrevista imposible a Marie Curie inaugura Re-Life<\/em>: conversaciones que nunca ocurrieron entre personajes irrepetibles y entrevistadores que jam\u00e1s coincidieron, pero cuyo di\u00e1logo a\u00fan tiene mucho que decirnos.<\/p>\n

[\/et_pb_text][et_pb_button button_url=\u00bbhttps:\/\/antxonbenito.es\/re.life\/marie-curie\/\u00bb button_text=\u00bbLeer ahora\u00bb button_alignment=\u00bbcenter\u00bb _builder_version=\u00bb4.27.4″ _module_preset=\u00bb2b2be5df-075a-4226-b0eb-b59b449e973c\u00bb global_colors_info=\u00bb{}\u00bb][\/et_pb_button][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"

Trigesimonovena entrevista imposible de re:life: Adam Smith, el fil\u00f3sofo escoc\u00e9s que se convirti\u00f3 en la justificaci\u00f3n favorita de un sistema que \u00e9l mismo habr\u00eda denunciado. Naci\u00f3 sin padre, vivi\u00f3 sin esposa, muri\u00f3 ordenando que quemaran la mayor parte de lo que hab\u00eda escrito. La met\u00e1fora que m\u00e1s se cita de toda su obra aparece solo […]<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"","footnotes":""},"dipi_cpt_category":[],"class_list":["post-20","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/pages\/20","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/comments?post=20"}],"version-history":[{"count":61,"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/pages\/20\/revisions"}],"predecessor-version":[{"id":987514025,"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/pages\/20\/revisions\/987514025"}],"wp:attachment":[{"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/media?parent=20"}],"wp:term":[{"taxonomy":"dipi_cpt_category","embeddable":true,"href":"https:\/\/antxonbenito.es\/re.life\/wp-json\/wp\/v2\/dipi_cpt_category?post=20"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}